tag:blogger.com,1999:blog-33008068521737692472024-02-08T05:05:23.820-08:00True MoviesTrue Movies - EntertainmentDanielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.comBlogger200125tag:blogger.com,1999:blog-3300806852173769247.post-4116682446567850762011-06-30T08:01:00.000-07:002011-06-30T08:01:00.443-07:00New Tv to Pc Software Top conversions<p>This product was made by conversion experts to make more sales, check us out and you will see! Also a special method to reduce refunds is being used at the back end.</p><br /><a href="http://danielgu.tvpcm.hop.clickbank.net/">Check it out!</a>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-12720889443468259602011-06-30T04:26:00.000-07:002011-06-30T04:26:00.817-07:00Review: `Cars 2' is a clunker
(AP) <P>Pixar's track record has been close to impeccable for turning out intelligent, emotionally rich, beautifully detailed animated films, with plenty of humor and heart to appeal to <a href="http://truemoviestw.blogspot.com/">movie</a> lovers of all ages.</P><P>But the weak link in the chain, at least from a narrative standpoint, has always been 2006's "Cars," with its two-dimensional talking autos and hokey, borrowed tale of small-town life.</P><P>Sure, it was bright and zippy, which was enough to appeal to the little ones, and it became a merchandising juggernaut. Just try finding a kid who doesn't have some sort of "Cars" stuff. My 19-month-old son has a Lightning McQueen sippy cup and I have no idea how he got it — these things just show up on their own. That's how ubiquitous they are.</P><P>So sure, why not make a sequel? Trouble is, "Cars 2" is such a mess, it makes the original look like it ought to rank among Pixar's masterpieces by comparison.</P><P>What has set the studio's films apart from all the other animated fare is story: It's paramount. Innovative tales like "WALL-E" and "Up" get you choked up just thinking about them, they're that good. "Cars 2" tries to encompass many kinds of stories at once, none of which is terribly clever or compelling. And the fact that Pixar mastermind John Lasseter is back as director is the most baffling part of all. This is the man who kicked it all off with the soulful and groundbreaking "Toy Story" back in 1995. This is not someone from whom you would expect empty glossiness.</P><P>Here, working from a script by Ben Queen, Lasseter makes a transparent attempt at catering to the ever-expanding global <a href="http://truemoviestw.blogspot.com/">movie</a>going audience by having the hero of the original "Cars," Lightning McQueen (voiced by Owen Wilson), compete in an international grand prix through Japan, France, Italy and Britain. The sponsor is a Richard Branson-type Range Rover-looking vehicle (Eddie Izzard); McQueen's main rival is an arrogant Italian Formula 1 racecar (John Turturro).</P><P>At the same time, "Cars 2" panders to middle America by placing Mater, the rusty, aw-shucks tow truck, front and center. McQueen is flashier but this is Mater's time to shine, as it were; Larry the Cable Guy, who voices the character, even gets top billing over Wilson. But a little of the comedian's twangy shtick goes a long way — for the audience, and for McQueen, who gets annoyed with Mater's boorish behavior in all these refined settings. Still, Mater is there to teach us some lessons about valuing the underdog. Or not judging people because we think they're different or stupid. Or something.</P><P>But wait, there's more. "Cars 2" is also a James Bond spoof, with Michael Caine providing the voice of the elegant English sports car, superspy Finn McMissile. Finn and his rookie sidekick, Holley Shiftwell (Emily Mortimer), run into Mater, who has tagged along with McQueen on this globe-trotting journey, and mistakenly believe he's the American undercover operative they're supposed to meet during their latest mission. This ties into a whole `nother subplot involving alternative fuel sources and the German villain (Thomas Kretschmann) who has big plans to keep cars reliant on Big Oil.</P><P>With all these new characters and various narrative strands competing for our attention, there's not much room for fun. "Cars 2" is one thing a family-friendly summer blockbuster should never be: boring. Yes, it looks beautiful, lavishing in photorealism as so many Pixar <a href="http://truemoviestw.blogspot.com/">movie</a>s do. In 3-D (because of course it's in 3-D), the chase scenes have their thrilling moments, and the many shiny surfaces do have a tactile quality. Young kids — at whom so much of this material is clearly aimed — will probably enjoy the bright colors and incessant motion.</P><P>But as the structure grows repetitive and Mater's corny puns and malapropisms become tiresome, we — like the anthropomorphized autos — feel like we're just spinning our wheels.</P><P>"Cars 2," a Disney Pixar release, is rated G. Running time: 114 minutes. One and a half stars out of four.</P><P>___</P><P>Motion Picture Association of America rating definitions:</P><P>G — General audiences. All ages admitted.</P><P>PG — Parental guidance suggested. Some material may not be suitable for children.</P><P>PG-13 — Special parental guidance strongly suggested for children under 13. Some material may be inappropriate for young children.</P><P>R — Restricted. Under 17 requires accompanying parent or adult guardian.</P><P>NC-17 — No one under 17 admitted.</P><br /><p><a href="http://us.rd.yahoo.com/dailynews/rss/movies/*http://news.yahoo.com/s/ap/20110621/ap_en_mo/us_film_review_cars2" target="_blank" rel="nofollow">View the original article here</a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-79622957039780157912011-06-30T01:21:00.000-07:002011-06-30T01:21:00.235-07:00Talented performers make a low-budget musical sing
(Reuters) <P>LOS ANGELES (Hollywood Reporter) – Hollywood has lost interest in big-budget <a href="http://truemoviestw.blogspot.com/">movie</a> <a href="http://music-ling.blogspot.com/ ">music</a>als in the wake of "Nine," "Burlesque" and other misfires.</P><P>A radically different approach just might save the genre. The no-frills, no-star, no-budget African-American <a href="http://music-ling.blogspot.com/ ">music</a>al, "Leave It On the Floor," which had its world premiere at the Los Angeles Film Festival over the weekend, demonstrates the possibilities. It actually takes some chances.</P><P>Most recent <a href="http://truemoviestw.blogspot.com/">movie</a> <a href="http://music-ling.blogspot.com/ ">music</a>als that succeeded, including "Chicago" and "Dreamgirls," incorporated most of their songs as production numbers performed on stage, so they didn't challenge audiences' preference for realism. But in "Floor," the characters burst into song on the subway or in convenience stores, and the performers are so dynamic that we buy into an ancient <a href="http://music-ling.blogspot.com/ ">music</a>al convention that has fallen out of fashion.</P><P>The film doesn't have huge box office potential, but it could develop cult status and find a niche audience.</P><P>The script by Glenn Gaylord is an uneven, sometimes threadbare affair, but it does take off from a core of truth: the homophobia within the African-American community. At the start of the film, Brad (Ephraim Sykes) is kicked out by his mother when she discovers that he's gay. He ends up being adopted by a group of drag queens who compete in monthly balls held at downtown L.A. dance clubs. A similar milieu inspired the documentary "Paris Is Burning" a couple of decades ago, and director Sheldon Larry has been tantalized by the idea of making a fiction film on the subject ever since seeing that earlier film.</P><P>It's too bad that Larry and Gaylord hew to formulaic storytelling, but the script has never been the most important element in a <a href="http://music-ling.blogspot.com/ ">music</a>al. The key is song and dance, and here "Floor" delivers. The songs by Kimberly Burse (<a href="http://music-ling.blogspot.com/ ">music</a> director for Beyonce and other performers) run the gamut from rap to ballads, and a few of them -- including a sly homage to Justin Timberlake called "Justin's Gonna Call" -- are genuinely rousing. The choreography by Frank Gatson Jr. is equally ebullient.</P><P>Characterizations are thin, but the gifted actors help to put the roles across. Sykes has a thrilling voice and an unmistakable charisma. Miss Barbie-Q, playing the den mother of the ragtag group, also sings excitingly and emerges as a force of nature. Andre Myers and Phillip Evelyn as the rivals for Brad's affections both strike sparks with the hero.</P><P>Some of the plotting is primitive. A sudden car crash seems convenient rather than convincing, but the funeral scene that follows -- a <a href="http://music-ling.blogspot.com/ ">music</a>al duel between the dead boy's family members and his adopted drag community -- is one of the strongest in the film because it finds the humanity in both contingents.</P><P>Larry's direction is sometimes clumsy but always energetic, and the production team makes good use of the gritty locations. The filmmakers' enthusiasm for the <a href="http://music-ling.blogspot.com/ ">music</a>al genre proves to be contagious. This <a href="http://truemoviestw.blogspot.com/">movie</a> may not win awards, but it's a good-hearted joyride.</P><br /><p><a href="http://us.rd.yahoo.com/dailynews/rss/movies/*http://news.yahoo.com/s/nm/20110622/film_nm/us_film_leave" target="_blank" rel="nofollow">View the original article here</a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-74676090757358377692011-06-29T21:47:00.000-07:002011-06-29T21:47:00.579-07:00iVisionTv - New Online Tv Software<p>Earn 75%, Max Conversions, Low Refunds!!! Internet Tv, PC Tv, Computer Tv, Laptop Tv, Watch Tv.</p><br /><a href="http://danielgu.ivisiontv.hop.clickbank.net/">Check it out!</a>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-79131135939061067252011-06-29T17:11:00.000-07:002011-06-29T17:11:00.768-07:00New Products Available! 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They're sent out for an audition, work on the copy, go through the process of auditioning and then wonder, "My audition was so good. Why didn't I book that spot?? Or at least, get a call back?"</P><P>To take some of the mystery out of the process, let's deal with some basic facts.There are only a few reasons WHY anyone gets booked on a major market commercial:</P><P>1 - <STRONG>You LOOK like the Spokesperson the client had in mind-</STRONG> the corporate guy in the Amex or Citibank spot.</P><P>2 - <STRONG>You LOOK like the "family member"</STRONG> they were trying to match up for the group scene - A family dinner at the Olive Garden.</P><P>3 - <STRONG>You LOOK like "the girl next door" </STRONG>the company needed to be their "image" - CoverGirl or Ivory, he suburban Dad building a deck & buying stuff at The Home Depot, the Mom with her kids having burgers at McDonald's.</P><P>Did you notice that for all the examples above the word "LOOK" was very important. How you look determines whether or not you will be cast. And that includes how you DRESS. It's not your BFA degree in acting, your "talent," your acting training in Meisner, Method, Stanislavsky or Classical theatre. As a matter of fact, over 30% of all commercials don't even have "lines" you can perform so your acting technique may not be considered at all! It's your "LOOK," how you present yourself in those precious 22 seconds or more accurately, the first 4-10 seconds during your SLATE that is so important!</P><P>That's when the Client, the Producer, the Writer and the Advertising Exec's decide WHETHER TO HIRE YOU OR NOT! Does that mean that everyone who wants to work in commercials has to look like a model or be perfect?On the contrary, everyone who wants to work in commercials today (with the exception of those "beauty or cosmetic spots for shampoo, lipstick or fashion) needs to LOOK REAL-like a real person. What does "REAL" mean?</P><P>A REAL housewife, mom, dad, neighbor in the suburbs, a high school coach, a handyman, the telephone guy, The FEDEX delivery guy, a small shop owner, the saleslady at the boutique at the mall, the teenager at the pizza parlor or the kids with their parents at the beach or on a picnic-these are all "marketable types" and niches that most people fit into. The LESS you look like an actor and the more you LOOK like a real person in "Middle America (west of the Hudson, east of the Pacific) the more you'll get booked! Commercials cater to the average American Suburban family because those are the people who buy 95% of the products produced and therefore advertised.</P><P>But, in the Commercial World, REAL people have an attractive or "polished" appearance. That means, hair is clean, well styled, trimmed, NEAT. Teeth look white not uneven, discolored or unattractive, wardrobe is in vibrant colors not dark, dingy, wrinkled or "urban chic". Unless stated clearly in the "breakdown" description, any actor appearing to be a disenfranchised individual (unless their casting a goth or hipster)- one with tattoos, body piercing, odd-colored hair or a weird haircut will probably NOT be considered for the job. You get the picture. And there is a professional standard that even the average real person may not adhere to. Casting Directors politely call it "CAMERA READY". As an actor you need to understand that COMMERCIALS are a photogenic medium. You are cast by how you look on camera.</P><P>People who have a polished appearance will ALWAYS BOOK THE JOB over those who don't. That means you need to "spiff up". It pays off because booking a major market spot could earn you $$$thousands weekly/monthly in "passive" income as your spot is viewed nationally and sometimes globally. So, get the advice of an Industry Pro- a Commercial Casting Director, a Career Coach, a TV Director or Agent before accepting an audition for a commercial.</P><P>The standard rule is WYSIWYG. What You See Is What You Get. Don't think for a minute that "THEY" will hire and "fix" you- cut your hair, polish your teeth, change your clothes. If you present yourself unprofessionally, you won't be hired! If on the other hand, you look "perfect" for the character they need to cast, you'll not only be hired, they may even ask you to bring that shirt, sweater or jacket you wore in the audition with you for the Shoot! BINGO! You hit the nail on the head! You've been booked! You provided them with exactly what they needed.</P><P>Here are a few Camera Tips to Keep in Mind:</P><P><STRONG>1. Don't wear Red, Black Or White for the camera</STRONG></P><P><STRONG>Red</STRONG> can turn an odd or ugly color on camera-from fucshia pink to dark blood, rust, orange or firey red - not attractive for anyone with any coloring and may create a mood of anxiety or fear. <STRONG>Black</STRONG> takes all the energy from the frame of the shot and signifies something serious or possibly negative- death or depression. NOT wearing black also means not wearing dark navy, dark green, dark purple, brown, dark gray. Dark colors will definitely lose you the booking! <STRONG>White </STRONG>creates a "ghost" of green light around you. Looks bad and tells them you are an amateur,not understanding camera work and lighting.</P><P><STRONG>2. Bring HAIRSPRAY and "Fix" your hair problems.</STRONG></P><P>If your hair tends to get in your eyes, is whispy, frizzy, uncontrolled or is hanging limply, blocking your face in any way it will probably cost you the booking. If they can't see your face or your hair is annoying to watch while watching you read copy, they won't cast you! Girls with long straggly straight hair will almost NEVER get booked! Cut the hair, have layers put in or have it styled -use product - so it frames your face and "flows" naturally. Or don't waste your time going out for commercials. (Sorry, but it's easier for guys! For you, don't use too much mousse or product or you'll appear to be greasy or wet!) Remember you are shooting from the waist up for the most part so wardrobe below the waist is not that important (the exceptions would be an "athletic" or "action" spot where you may be jogging, playing tennis or golf. Then dress for the full length camera angle).</P><P><STRONG>3. Bring and Use POWDER.</STRONG></P><P>Everyone looks greasy, shiny on camera. It's how light affects everyone's skin. If you powder, (guys too) you'll look more professional. Yes, these details make a difference. But you're saying to yourself - "I didn't study acting to learn how to wear make-up"! No, you didn't. But if you want to make the money commercial residuals can offer you, LEARN! Just as you learned dialects, dance, singing, stage combat or wearing 18th century clothing not to mention different styles of acting, learn how to adapt to this area of the performing arts. It's one more skill to add to your professional bag of tricks. The rewards will be enormous!</P><P>Happy Auditioning and Successful Marketing!</P><P>Gwyn</P><P>Gwyn Gilliss is the creator and Executive Director of TAM, The Actor's Market, a marketing firm for actors. They provide monthly FREE seminars/teleseminars, FREE weekly marketing tips as well as access to top photographers, graphic artists and videographers who provide every marketing tool an actor needs. As the foremost Marketing Coach and Mentor to actors, Gwyn's acting career spans several decades during which time she appeared on and off-B'way, in classical roles in American Repertory companies, in over 18 contract and recurring roles in Daytime and Primetime TV, Films and dozens of network commercials/V.O.'s. She has special Coaching programs for ready-to-succeed actors.</P><P>SIGN UP for our FREE Weekly Marketing Tips here: http://thetamstore.com/cart/</P><br /><p><a href="http://EzineArticles.com/6360656" target="_blank" rel="nofollow">View the original article here</a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-83412393355204138222011-06-28T23:16:00.000-07:002011-06-28T23:16:01.448-07:00Foo Fighters: Back And Forth<img src="/511KkDH5nALSL500.jpg" alt="Foo Fighters: Back And Forth"width="300" align="left" style="margin-right: 7px;" />Studio: Sony <a href="http://music-ling.blogspot.com/ ">Music</a> Release Date: 06/07/2011<p><b>Price: </b>$18.98</p><br /><p><a href="http://www.amazon.com/exec/obidos/ASIN/B004XCUEU2/ref=nosim/gojberblo-20" title="Foo Fighters: Back And Forth" target="_blank"><b>Click here to buy from Amazon</b></a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-85751283742458951062011-06-28T18:16:00.000-07:002011-06-28T18:16:00.281-07:00A faulty documentary on transsexual tennis star
(Reuters) <P>LOS ANGELES (Hollywood Reporter) – "Renee," Eric Drath's documentary about transsexual tennis star Renee Richards and her battle to play as a woman in the 1977 U.S. Open, is as fascinating as it is frustrating.</P><P>Made for ESPN Films and shown in the current Los Angeles Film Fest prior to broadcast later this year, the film brings you up-to-date on a personality who once dominated headlines but has now largely faded from public view.</P><P>Drath tries to get to the bottom of two people, Richard Raskin, who was born in 1934 into a comfortable upper middle-class existence, and Renee -- "French for 're-born,'" she reminds -- following Raskin's gender reassignment surgery in 1975.</P><P>Richards has written two autobiographies and seen two <a href="http://truemoviestw.blogspot.com/">movie</a>s made about her life, the TV <a href="http://truemoviestw.blogspot.com/">movie</a> "Second Serve" starring Vanessa Redgrave and now this one. Yet she remains elusive. This enigmatic quality isn't just about the schizophrenia of Dick and Renee but about the contractions and self-doubts each possessed.</P><P>Drath, who comes from a tennis-loving family, remembers as a boy Dr. Raskin, an eminent eye doctor who treated his sister, yet later appeared in a skirt at the U.S. Open, and wants to find out what happened. Good luck.</P><P>Observing Richards in an interview today and then in old footage and old interviews, one clearly observes a war going on within this person, not so much between male and female, as between what one friends calls the "private person," who is extremely wary of all this attention, and a headstrong and arrogant individual who craves the limelight.</P><P>How else to explain a person who, having undergone gender reassignment, a name change and a switch of coasts from New York to California in order to live anonymously, suddenly wants to resume a tennis career. (Dick reached the final of the men's national 35-and-over tennis championships in 1972.) No one familiar with tennis, a friend tries to tell her, will fail to recognize Dick Raskind's serve no matter how she dresses. RenOe won't listen. Then a local southern California reporter does a little digging and her cover is blown.</P><P>One detects more than a little regret over the impact the sex transition had on others in Renee's life although apparently none over the surgery itself. She can be a little evasive on-camera but is willing to express doubts now about the 1977 New York Supreme Court decision that allowed her to play in the U.S. Open without having to submit to sex test.</P><P>The film's main focus is on the son Richards had during a brief marriage to a fashion model. A curt Nicholas Raskin does appear on camera briefly to answer questions. He still calls Renee his father and labels her decision to abandon her family for the sex reassignment "selfish." Yet they seem to be close.</P><P>On the other hand, Renee talks about her son's drug and alcohol problems although none is evident during his interviews. He is clearly a restless and disturbed man, who still resents the teasing he took as a schoolboy over his father's sudden notoriety.</P><P>Nick's mother evidently refused to cooperate as she is scarcely mentioned and never appears. There are other gaps. No mention is made of Richards' Jewishness, which apparently made him feel like an outsider in the WASPY Ivy League schools he attended. He excelled as an athlete as well as a medical student, yet broke off his one serious romantic relationship.</P><P>He traveled to Europe as a woman and even arrived in Casablanca, where the only surgeon in the world to specialize in gender reassignment operated a clinic. Then Dick chickened out. He returned to New York, married, fathered a son and only when he feared his own suicide did he have the operation.</P><P>One final gap has to do with Dick and Renee's sex life. This comes up only once and with it comes the surprising admission to "sex escapades" with men and women but that Renee never found the love with men that Dick found with women. Say what? No follow-up questions to that?</P><P>In person today, the rangy and angular six-foot-two woman still struggles to suppress the alpha male that Dick once was. The practice of medicine -- Richards by all accounts is an even better doctor than tennis player -- sustains her life and, she says, keep her sane. But when speaking of her son or the problems she caused for those close to her, a melancholy settles over her and the film.</P><P>One cannot know if more time devoted to interviewing Richards or the casting a wider net to bring in more voices belonging to friends, colleagues or experts in transsexualism might have brought more clarity or understanding to the story of Renee Richards. For in the end, this <a href="http://truemoviestw.blogspot.com/">movie</a> adds to the mystery rather than solves it.</P><br /><p><a href="http://us.rd.yahoo.com/dailynews/rss/movies/*http://news.yahoo.com/s/nm/20110622/film_nm/us_film_renee" target="_blank" rel="nofollow">View the original article here</a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-43372436230507075422011-06-28T15:04:00.000-07:002011-06-28T15:04:00.557-07:00RoomMates RMK1524SCS Rapunzel Peel &amp; Stick Wall Decal<img src="/61ON1qA1vgLSL500.jpg" alt="RoomMates RMK1524SCS Rapunzel Peel & Stick Wall Decal"width="300" align="left" style="margin-right: 7px;" />Get tangled up in the classic story of Rapunzel with this set of wall decals from Disney's Tangled. This set includes 46 decals featuring beautiful illustrations from the <a href="http://truemoviestw.blogspot.com/">movie</a>. Because RoomMates are easily to apply, remove, and reposition, kids can create scenes from the <a href="http://truemoviestw.blogspot.com/">movie</a> and move them around as they please. To view matching Disney Princess wall art please click here.<P>Includes (4) 10" x 18" sheets (46 decals).<P>Fully Assembled Dimensions: Range from 1" wide x .75" high to 12.75" wide x 9.25" high.<p><b>Price: </b>$12.99</p><br /><p><a href="http://www.amazon.com/exec/obidos/ASIN/B0047E1BHQ/ref=nosim/gojberblo-20" title="RoomMates RMK1524SCS Rapunzel Peel & Stick Wall Decal" target="_blank"><b>Click here to buy from Amazon</b></a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-90253709902491275162011-06-28T11:00:00.000-07:002011-06-28T11:00:03.446-07:00Things To Consider When Choosing Film Locations in Los Angeles <P>Hollywood, California is synonymous with <a href="http://truemoviestw.blogspot.com/">movie</a>s. As part of the city of Los Angeles, Hollywood attracts hopeful <a href="http://truemoviestw.blogspot.com/">movie</a> industry workers and tourists alike from all over the globe. Having sunshine and a wide array of desirable film locations in Los Angeles, California was an ideal place for the fledgling U.S. <a href="http://truemoviestw.blogspot.com/">movie</a> industry.</P><P>As a <a href="http://truemoviestw.blogspot.com/">movie</a> setting in Los Angeles has been shown to be able to fulfill a number of disparate duties. Iconic and prototypical, L. A. has been made to serve as both micro and macrocosm for filmmakers wishing to discuss American lives. It is sprawling landscape, ethnographic history, and charming reputation make L. A. not just a practical backyard for Hollywood storytellers. As the ways of interpretation as well as representation in film making have changed, so too has American <a href="http://truemoviestw.blogspot.com/">movie</a>s experienced major shifts as a manifestation of the popular consciousness.</P><P>Film locations in Los Angeles known as the Entertainment Capital of the World; Los Angeles is really a popular location for film making with plenty of natural and excellent filming locations. To some people it's a paradise of breathtaking beaches, buxom bodies, Beverly Hills, and also the world's most pimped-out cars. As a way to fully understand the bigger picture of Los Angeles, you need to know the way the city moves in and out of its local landscape. These are the areas that run the city; they're the parts that make L. A. just what it is. They're areas created so that other, possibly a lot more minor activities can take place here. Once you know the way they function, how they create a system, the way they consort and are connected, these areas have beauties to them.</P><P>With regards to producing high quality productions in Los Angeles, whether it is a reality show, commercial, motion picture scenes, or episodic television, the filming location you select could make the difference between a product that is sub-par and one which will be taken seriously. Here's what to take into consideration when choosing a film locations in Los Angeles. Expert staff, team, and actors already are aware of the very best way to get to the most often used film locales like those in the Burbank Media district. Picking a film location in Burbank or perhaps in nearby North Hollywood is simple and will be well-known to most people involved. 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(AP) <P>LOS ANGELES – A person familiar with the matter says the board of online video service Hulu has begun to explore options to sell itself after the company, now owned mainly by media companies, received an unsolicited offer.</P><P>The person said the offer was large enough for the board to consider and seek other potential bidders.</P><P>Hulu, which is jointly owned by The Walt Disney Co., News Corp., Comcast Corp.'s NBCUniversal and Providence Equity Partners, is preparing to hire bankers to start a formal search process. It provides television and other video content free and by subscription.</P><P>The person spoke on condition of anonymity because the discussions are confidential.</P><P>A Hulu spokeswoman declined to comment.</P><P>The development was earlier reported by The Wall Street Journal, which is also owned by News Corp.</P><br /><p><a href="http://us.rd.yahoo.com/dailynews/rss/movies/*http://news.yahoo.com/s/ap/20110621/ap_en_mo/us_hulu_potential_sale" target="_blank" rel="nofollow">View the original article here</a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-24711509209687993442011-06-27T18:42:00.000-07:002011-06-27T18:42:00.630-07:00MyFreeiTV - Internet Tv on PC Software<p>Earn 75% Commission! 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You can also listen to MP3s and Internet radio via the built-in stereo speakers, or by using the headphone jack (headphones not included).</p> <table width="300" cellpadding="20" align="left"> <tr> <td align="center"><img src="http://images.amazon.com/images/G/01/electronics/detail-page/B00375MPA8-1-th.jpg" border="0"> <p><small><b><i>Make the Internet uniquely yours and access over 1,500 free apps with the Dash Personal Internet Viewer. 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The touchscreen user interface allows you to set effects, rotate photos, zoom, and play or pause photo slide shows. <p><b>USB 2.0 Interface</b><br> Access audio, video or photo content stored on mass storage USB devices by connecting to the USB port. <p><b>What's in the Box</b><br> Sony Dash Personal Internet Viewer and user's manual.<p><b>Price: </b>$199.99</p><br /><p><a href="http://www.amazon.com/exec/obidos/ASIN/B00375MPA8/ref=nosim/gojberblo-20" title="Sony Dash Personal Internet Viewer" target="_blank"><b>Click here to buy from Amazon</b></a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-61636694983400019862011-06-27T08:53:00.000-07:002011-06-27T08:53:00.274-07:00Southern documentary an exalted endeavor
(Reuters) <P>NEW YORK (Hollywood Reporter) – First-time writer-director Robert Persons establishes himself as a maverick personality with his lyrical collage documentary, "General Orders No. 9," which opens Friday in limited release.</P><P>An elegiac contemplation of the price of progress in the Deep South and its heavy toll on nature, history and community, the film plays more like a moody art installation than a conventional exploration of the clash between environment and urban development.</P><P>Screened at a number of second-tier festivals over the past several months, including Slamdance, this is unquestionably an exalted endeavor. It no doubt will find passionate admirers who respond to its haunting poetry, its hushed solemnity and mournful view of the irreversible damage wrought by the contemporary world. Others are likely to reject the film as a ponderous sermon with a too-cramped field of vision. Either way, however, the meticulous, artisanal craftsmanship and conviction Persons brings to his thesis are difficult to dismiss.</P><P>Persons' fascination with maps, patterns, shapes and symmetry informs the work in both structure and content. The principal refrain of the narration, read with somber gravity by William Davidson, is "Deer trail becomes Indian trail becomes county road." Also central is the star-and-satellite relationship of courthouse to town to county, with the weather vane at the top of the courthouse clock tower piercing the center of an intersection within many intersections.</P><P>Any harmony in that configuration was shattered when the interstates were built, transforming a neat grid into a chaotic web of interconnected veins. "The interstate does not serve, it possesses," intones Davidson.</P><P>Chris Marker appears to be a significant influence, but the spiritual bent in evidence also gives the film a vague tonal kinship to Terrence Malick's "The Tree of Life." There's a deep personal investment in the material, which Persons reportedly spent 11 years developing. But where Malick considers the soul of man, Persons' concern is the soul of the land. The film's specific geographic focus is the triangle of Alabama, Mississippi and Georgia, bordered on the east by the Mississippi River and on the west by the Savannah River.</P><P>As Davidson's voice ruminates on the metamorphosis of these tribal lands into sprawling, concrete hubs, Persons' exquisite camerawork caresses remnants of the past -- coins, bones, artifacts, fossils, faded family portraits -- or trains its still, serene gaze on gorgeous images of rural tranquility.</P><P>Over Chris Hoke's ambient <a href="http://music-ling.blogspot.com/ ">music</a>, the narration suggests that echoes of the war fought 100 years before this generation was born can still be heard, and Persons' shots of weathered graveyards reinforce that claim. The title -- a reference to Robert E. Lee's post-surrender address to his troops, issued at Appomattox courthouse -- appears to allude to land ceding to industry. But there's more emotionality than reasoning behind the film's formula of nature = good/urban development = bad.</P><P>The desecration of "a world covered over" and the rumblings of the past as "something pushing up against the surface of things" are emphasized in brooding Atlanta cityscapes, often digitally animated to heighten the sense of invasion by alien elements. Derelict structures and sterile, empty corridors portend a future with no place for humanity. These sequences are fluidly integrated by editor (and producer) Phil Walker to mirror the stately feel of symphonic movements.</P><P>Persons expresses his bereavement for communion and belonging -- concepts that have grown more abstract as progress marches on. His melancholy film urges us to look at the land rendered invisible by relentless construction; to treasure the remaining patches of wilderness and the totems of those who came before; to reassess the deceptions of modern life and appreciate again the constancy and truth of nature.</P><P>Those are all noble sentiments, eloquently expressed. But despite the film's beauty, such an earnestly romantic view of a world gone wrong needs to take a moment to weigh the gains against the losses. Without that balance, its wounded sanctification seems simplistic.</P><br /><p><a href="http://us.rd.yahoo.com/dailynews/rss/movies/*http://news.yahoo.com/s/nm/20110622/film_nm/us_film_general" target="_blank" rel="nofollow">View the original article here</a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-32123968161597217162011-06-27T04:42:00.000-07:002011-06-27T04:42:00.665-07:00Adobe Photoshop Elements 9 &amp; Premiere Elements 9 (Win/Mac)<img src="/518peaJcEzLSL500.jpg" alt="Adobe Photoshop Elements 9 & Premiere Elements 9 (Win/Mac)"width="300" align="left" style="margin-right: 7px;" />Adobe Photoshop Elements v.9.0 & Adobe Premiere Elements v.9.0 65088752 658<p><b>Price: </b>$149.99</p><br /><p><a href="http://www.amazon.com/exec/obidos/ASIN/B003YGME88/ref=nosim/gojberblo-20" title="Adobe Photoshop Elements 9 & Premiere Elements 9 (Win/Mac)" target="_blank"><b>Click here to buy from Amazon</b></a></p>Danielhttp://www.blogger.com/profile/06451683628651527495noreply@blogger.com0tag:blogger.com,1999:blog-3300806852173769247.post-20517873094105118732011-06-27T00:03:00.000-07:002011-06-27T00:03:00.668-07:00Mortal Kombat<img src="/61Bj9t6pehLSL500.jpg" alt="Mortal Kombat"width="300" align="left" style="margin-right: 7px;" />With a return to the mature presentation and classic 2D fighting plane Mortal Kombat is the most accessible and competitive MK game coming to the PlayStation 3 and Xbox 360. 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